Powell Play

Building Ballets II

01Feb10

With the cast of "In Between Time" February 1, 2010. top row from l to r - Enton Hoxha, Marc St-Pierre, Katie Williams, Me, Se-Yong Kim, Junio Teixeira, bottom row from l to r - Alys Shee, Jennifer Whalen, and Devon Teuscher. photo by Julie Cobble

WBAL-TV coverage of “In Between TIme” and the Baltimore Ballet

DAY1

The snow that never seemed to end yesterday nearly cancelled my first day of work with Baltimore Ballet. I was relieved to see it let up around 9pm while working at the Busboys and Poets on 14th & V. Today’s rehearsal at Baltimore Ballet’s headquarters on York Road in Hunt Valley, MD was more productive than I expected. Three female dancers from American Ballet Theatre - Devon Teuscher, Katie Williams, and Jennifer Whalen - hadn’t arrived yet as they were finishing the last performances of their Kennedy Center run in Washington, DC, so I had a chance to work with, instead, 15 year-old ballet prodigy Alys Shee and four male dancers from Roxey, Baltimore, and New Jersey Ballets. The process was swift and revealing. The ballet I’m making (over the course of this week) will be the 120th I’ve created, and is only the second time I’ve worked in the studio without music as the driving force in the generation of choreography. I found this new approach very freeing, allowing me to focus solely on craft.

DAY 2

Devon Teuscher. photo © Tony Powell

Katie Williams. photo © Tony Powell

Jennifer Whalen. photo © Tony Powell

CRAZY DAY! The arrival of the 3 ladies from American Ballet Theatre could not have been more anticipated. They are some of the nicest people I’ve ever met. We got started right away teaching the three ladies the material that was generated the day before by Alys. At a certain point I knew it was time to put it all together in a way that would be meaningful while paying attention to the limited amount of time I have to create the new ballet.

DAYS 3 & 4

Jennifer Whalen and Enton Hoxha in a lift we call "The scarf" because of the way in which the woman unfolds around the man's neck as she is lowered to the ground. photo by Tony Powell

© Tony Powell. In Between Time-pose-1 (1)

Junio Teixeira and Devon Teuscher. photo by Tony Powell

Filmmaker Shannon Schwait came today to make a high definition documentary about the process involved with the making of the piece. It was very strange to talk about the dance in an interview. It’s such an intensely personal work, on one hand a reflection on lost love, and on the other, a celebration of love’s potential.

The cast of "In Between Time." photo by Tony Powell

Every once in a while an idea is so clear in my mind that realizing it in the physical space can seem like an anti-climax. Such was the case when, after slapping on a faux ending on day 3, the true ending made itself apparent to me on day 4 after listening to the music for what must’ve been the 200th time! Instead of simply mirroring the music, I decided, instead, to have the piece finish with the curtain lowering 30 seconds after the music finishes while the dancers continue to move at full throttle.

Devon Teuscher. photo by Tony Powell

The image was so arresting to me that it made sense to open the ballet with a similar motif – using it as a way to introduce material that will come later in the work. LAST MOVEMENT FINISHED!

DAYS 5 & 6

There were only a few details of the opening movement that needed to be tweaked. A simple canon for 4 couples that originally finished on a long diagonal with the downstage couple facing toward the audience needed to be reworked – The first couple that finishes en pose couldn’t see the last couple complete the canon, which is the cue for all to continue in unison.

Dance writer, Heather Desaulniers, was in the studio, as well, while I finished work on the middle movement, created for Devon and 3 men. A very difficult final lift involving Junio, Enton, and Devon had to be worked out with spotters a half dozen times. Just before the end of rehearsal we were able to link the three sections together for the first time.

To my great surprise I was able to finish the piece on the 5th day – a day sooner than anticipated. I’m certain it had everything to do with the talent and energy of the dancers as well as getting an early start – the day before the arrival of the women from ABT – with Alys and the 4 men. The news that a massive snowstorm would hit on performance day had everyone questioning whether to persevere or postpone. With Super Bowl Sunday the following day and several dancers needing to catch international flights, Baltimore Ballet directors, Cem and Elysabeth Catbas, decided to reschedule the Gala for Sunday, March 28, 2010.

Filed under: Art, Dance, Events | 2 Comments
Tags: 2010, Alys Shee, American Ballet Theatre, ballet, Baltimore Ballet, Busboys and Poets, Devon Teuscher, Heather Desaulniers, Hunt Valley, In Between Time, Jennifer Whalen, Junio Teixeira, Katie Williams, Kennedy Center for the Performing Arts, MD, New Jersey Ballet, Roxey Ballet, Shannon Schwait, Tony Powell

Building Ballets

23Jan10

Tony Powell with members of Piel Morena Contemporary Dance. January 22, 2010. photo by Anne Gollenberg. from l to r. Alejandra Gonzalez, Laura Blatterman, Laura Tomlinson, and Meghan Grantin McDermott • North Shore School of Dance

Receiving a pair of back to back commissions to make new dances for two completely different companies – Piel Morena Contemporary Dance in Chicago and Baltimore Ballet in Maryland added to the, already there, optimism that swept in with the new year.

The past four days here in Highland Park, a suburb of Chicago, have been filled with many hours in the studio, culminating in a public showing tonight of excerpts from “Las Mujeres,” (The Women) which when completed, will receive its World Premiere here June 25 -27 at the Vittum Theater in Chicago. The creation of this new work is made possible by the very generous and serious arts patrons Michael and Linda Sonnenreich. I’ve been making this new female quartet at one of Illinois’ most respected studios – the North Shore School of Dance, founded and directed by Lisa Gold.

I’ve been given 8 rehearsals (4 hours a day) here in which to make a finished work, and only 6 rehearsals (5 hours a day) for the Baltimore Ballet piece (with dancers from ABT and other major companies) which starts next weekend, so I’ve had to thoroughly prepare for each.

photo by Anne Gollenberg

What intrigues me most about the all female Piel Morena Contemporary Dance is its mission to present Latino inspired works in a contemporary context. While half of my heritage is Brazilian – my mother is from Belem du Para, a city on the banks of the Amazon estuary in the northern part of Brazil – I hadn’t explored it as a source of inspiration for a dance until now. My original plan was to create a piece set to music by all female composers but as I got closer to the start of work I began to feel the pull toward the Latin American side of me.

DAY 6 - Sunday, January 24, 2010

Just when I thought I knew how the piece would shape up I met the brother of one of the dancers after the showing and he suggested I might listen to the music of Brazilian body percussion group Barbatuques. Always attempting to remain open I went back to the hotel and found their music on iTunes. After hearing only a few bars of their wholly original sound – a hybrid of a cappella vocal maneuverings and amplified body slapping – I decided to change the music for the entire piece. Just like that, halfway through the process! That’s never happened before.

DAY 7 - Monday, January 25, 2010

Up all night until 5am trying to figure out how to edit the new Barbatuques music so it would “fit” the amount of choreography I’d already come up for the last section – which had been set to other music (Rodrigo y Gabriela.) After 5 or 6 hours of splicing and rearranging the new Brazilian music in Apple’s Soundtrack program I decided to keep the original music for the last movement and only change the first two sections. There had been some reluctance on my part to mix music by different artists for this piece especially after hearing the strength of the new body percussion group’s music. However, after playing it all together, the variety in music styles wasn’t as disparate as I told myself it would be. It’s actually a nice contrast to go from amplified Brazilian body percussion to a percussive Mexican guitar duo. This piece is turning into one the most beautiful experiences I’ve ever had creating a dance. Today’s rehearsal was probably the most productive yet, yielding over 2 and half minutes of material. It took me the first 3 days here to accomplish that amount. At this rate the piece will be completed tomorrow and the following day – Wednesday – for cleaning it all up! Now all my attention is focused on the ballet I begin this Sunday in Baltimore with 8 dancers from American Ballet Theatre, Baltimore Ballet, Roxey Ballet, and New Jersey Ballet.

Filed under: Art, Dance | 1 Comment
Tags: a cappella, Alejandra Gonzalez, Baltimore Ballet, Barbatuques, body percussion, Brazil, Chicago, Il, Laura Blatterman, Laura Tomlinson, Linda Sonnenreich, Lisa Gold, Meghan Grantin McDermott, Michael Sonnenreich, North Shore School of Dance, Piel Morena Contemporary Dance, Tony Powell

Body Language

06Jan10

To receive an invite to the gallery show in March email me at tonypowell1@comcast.net or leave your email and/or snail mail address in the reply field.

Just before the new year I was able to get back to the DC Photo Coop studio (Carriage House) on 9th and O with Delphina Parenti, a fellow Juilliard grad currently dancing with CityDance Ensemble. She’s a constant source of inspiration, ever challenging me to re-interpret her form each time we get together.

We’ve created roughly 1,000 images over the last two months in preparation for part of a gallery show slated for March at Habatat Galleries in Tysons Corner, of my large-scale photographs, digital art, and video pieces. Selected images can serve multiple functions: a portion of one image might be blown up and shown as an abstraction alongside another, or a silkscreen generated for multi-media work on canvas or paper, or used as source material for artworks created within the computer, as in the collage at the top of the page. However, for most of the recent shoot in late December we collaborated on a 2 dimensional dance created specifically for the air – aided by a trampoline and comprised of dozens of gestures and shapes – to be viewed as either a wall of separately framed images or strung together as a projected film, it’s designed to produce a unique “body language,” or a series of abstract messages left to be interpreted by the individual viewer.

The last portion of the shoot focused on an evolving technique of mine that I call “ambient additive process,” a technique that combines chance operations and multiple exposure within a DSLR camera with attention to metered ambient light as opposed to incident light. The photos below are examples of this process, created within the camera, which can yield some startling results.

Filed under: Art, Dance, Photography | 4 Comments
Tags: Ambient Additive Process, Bare, Black and White Photography, Body Language, Carriage House Studio, CityDance Ensemble, DC, Delphina Parenti, Fine Art Photography, Jillian Sage, Tony Powell, tonypowell1@comcast.net, Washington

Kimball’s Crew!

04Jan10

To see all the photos click here!

© Tony Powell. Philippe Cousteau and Kimball Stroud

The Dupont Circle brownstone of Kimball Stroud, DC’s lady about town who knows just about everyone who’s anyone, was the place to be for the first big party of the new decade! I can’t remember a gathering where so many things were dead on; the people, the food, the atmosphere, and the conversations (I know how to keep a secret…or 2.) And did I mention the ART? Every wall was covered with something original and out of the ordinary. My kind of place! When Kimball sends a text asking you over you know it’s going to be a calendar clearing event. Her text specifically said,“no camera, you’re not working,” but seeing as though I keep a camera in my trunk, at all times, and with so many friends there (old and new) I couldn’t resist: Nora Maccoby, Kiki Ryan, Philippe Cousteau, Chris and Susan Koch, Shari and Jason Gold, Jill Straus, David Vennett, Jonathan Capehart, Karen Finney, Jake Stafford, Pamela Sorensen, Ingrid Zimmer, Jessica Yellin, Ray Regan, Nicole Backus, Darren Thomas, Mary Streett, Melissa Torres, Christina Sevilla, YouthAIDS founder Kate Roberts, and on and on. They were still coming in as I was on the way out. James Alefantis and best pal Septime Webre lucked up and got my front-of-the-house parking space!

Filed under: Events, Leisure, Nightlife | 1 Comment
Tags: 2010, Chris Koch, Christina Sevilla, David Vennett, DC, Dupont Circle, Ingrid Zimmer, Jake Stafford, James Alefantis, Jason Gold, Jessica Yellin, Jill Straus, Jonathan Capehart, Karen Finney, Kate Roberts, Kiki Ryan, Mary Streett, Melissa Torres, New Years Party, Nora Maccoby, Pamela Sorensen, Philippe Cousteau, Septime Webre, Shari Yost Gold, Susan Koch, Tony Powell, Washington

Dinner at Tiffany’s!

18Dec09

The Tiffany 2009 Blue Book Collection is the defining symbol of luxury in the World of fine gems. Teardrop Diamond Drop Earrings are $40,000, a flower Jardinet Diamond Bracelet in 18K gold is $320,000, and a 6.19 carat brilliant diamond – flawless and colorless with a double border diamond setting – a mere $1,475,000!

The dinner that was thrown at the Tysons Corner location November 20th, in honor of the collection, was just as luxurious as the stones being offered.

After cocktails and shopping in the store guests were ushered out into the large foyer for dinner which was transformed into a Winter scene: every inch of the ceiling covered in white balloons and streamers nearly reached the floor – simulating falling snow.

Catering was provided by Tiffany neighbor “Chef” Geoff Tracy who was accompanied by his wife, MSNBC correspondent, Norah O’Donnell. Other notables included Tiffany & Co. CEO Michael Kowalski, Michael and Susan Harreld, and Newt and Callista Gingrich.

The woman behind my involvement is Tiffany & Co. Vice President Diane Ray Brown, for whom I am greatly honored to have worked with now, twice.

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Tags: 2009, Diane Ray Brown, Fairfax Station, Geoff Tracy, Norah O'Donnell, November 20, Tiffany & Co., Tiffany 2009 Blue Book Collection, Tony Powell, Tysons Corner, Virginia

jackquinn

14Dec09

To view and purchase all photos click here!

The most impressive and anticipated holiday gathering to date this season occurred last week on the entire roof level of the W Hotel.

When Susanna Quinn calls to say she’s having an event and wants it captured it MUST be important.

Each party she throws seems to be better than the last and the Quinn Gillespie & Associates Holiday party she hosted was the best yet! (they got it to snow inside!)

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Tags: 2009, Brit Hume, December 8, Ed Henry, Holiday Party, Jack Quinn, Joe Crowley, John Warner, Quinn Gillespie & Associates, Susanna Quinn, Tommy McFly, Tony Powell, Virginia Hume, W Hotel

In STEP with Molissa Fenley

07Dec09

© Tony Powell. Molissa Fenley

Mass Balance. Choreographed and danced by Molissa Fenley. photo © Tony Powell

September 15 and 17, 2009

Venue: Judson Church, 8pm
Location: 55 Washington Square South, New York City
Program: Ice, Dew, Food, Crew, Ape, music by Alvin Curran and poem, STEP, written and performed live by Bob Holman
Mass Balance, music by Cenk Ergun, prop by Todd Richmond
Cosmati Variations 1-4, music by John Cage

Performed by Kristina Berger, Molissa Fenley, Wanjiru Kamuyu, Katie McGreevy, Cassie Mey, Elisabetta Minutoli, Paz Tanjuaquio and Alyssa Lee Wilmot.

Ice, Dew, Food, Crew, Ape – the New York premiere of a work performed twice: once as set to a score by Alvin Curran and then again danced with STEP a poem written and performed live by Bob Holman.

Ice, Dew, Food, Crew, Ape. Choreography by Molissa Fenley. Photo by Tony Powell

Ice, Dew, Food, Crew, Ape. Choreography by Molissa Fenley. Photo by Tony Powell

This work was created while Fenley was in residence at the Atlantic Center for the Arts, February 2009. Alvin Curran’s score was created by his recording the sounds of the Nantucket ship horn against the sound of John Cage’s voice reciting the five monosyllabic words of Curran’s title.

Bob Holman, also in residence at the ACA, watched rehearsals of the work underway, taking notes of phrases said during the choreographic process, directions taken, relationships expressed, movement described. These notes were then translated into the poetic form that is Holman’s work.

Ice, Dew, Food, Crew, Ape. Choreography by Molissa Fenley. Photo by Tony Powell

Standing in the middle of the stage and surrounded by the dancers moving through the choreography, Holman is sometimes in close proximity to the dancers, sometimes encircled as the dancers continue through their spatial constructions.

Mass Balance – music by Cenk Ergun, prop by Todd Richmond (NY premiere). A solo for Fenley, the work marks the beginning of a new investigation of dances made using a prop designed or suggested by a visual artist.

Mass Balance. Choreographed and danced by Molissa Fenley. photo © Tony Powell

Fenley carries a 10-foot wooden dowel throughout the piece, experimenting with images of balance and weight. “Mass Balance” refers to the difference between the accumulation of snow and the ablation of ice of glaciers. Yearly measurements have shown a disequilibrium caused by global climate change.

Cosmati Variations are a series of works that Fenley choreographed while in residence at the American Academy in Rome, February-August, 2008.

Cosmati Variations. Choreography by Molissa Fenley. Photo by Tony Powell

Each variation is inspired by an aspect(s) of the 11th Century Cosmatesque mosaic pavements present in many of the basilicas and churches in Rome.

Cosmati Variations. Choreography by Molissa Fenley. Photo by Tony Powell

The inspirations are in terms of design: T-square and serpentine eyelets; in terms of measurement: movements or spatial travel that require three feet; in terms of ardor: demand of execution and in terms of form: triangles nested within squares.

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Tags: 2009, 55 Washington Square South, Ape, Cassie Mey, Cosmati Variations, Crew, Dew, Elisabetta Minutoli, Food, Ice, Judson Church, Katie McGreevy, Kristina Berger, Mass Balance, Molissa Fenley, New York City, NY, Paz Tanjuaquio and Alyssa Lee Wilmot, September 16, STEP, Tony Powell, Wanjiru Kamuyu

Celebrating Martha!

01Dec09

Martha Hill circa 1922

With my Juilliard professors Laura Glenn (Limon technique) Janet Soares (Dance composition) and Danny Lewis (Limon technique)

To say that a quarter of The Cathedral NYC’s ballroom last night was occupied by living legends of the dance world is not an over statement. Each year around 200 dancers, choreographers, and educators gather to celebrate the life of pioneer in-the-field, Martha Hill. I have the great honor of being the official photographer of the Martha Hill Dance Award Gala and look forward to it each year with great anticipation.

Martha Hill is credited with singlehandedly uniting the chiefs of modern dance, during it’s infancy, and also for laying the groundwork that enabled the discipline to be studied, as a major, in colleges all across the country.

© Tony Powell. Murray Louis and Beverly Blossom

Tony Powell. Choreographer/Dancers Murray Louis and Beverly Blossom

I was very fortunate to have been one of the last students hand-picked by Martha to attend The Juilliard School - where she presided over the dance program for over 30 years. Well into her eighties at the time, Martha Hill was an inspiration like none other, full of energy and insight, wisdom, and compassion.

Ten years ago an award was created to celebrate her life which recognizes 3 individuals each year in 3 different categories of the life arc of a dancer: The Young Professional, The Mid-Career, and The Lifetime Achievement Awards. This year’s event was presided over by choreographer and dancer Murray Louis with awards going to Jacqueline Green, Virginia Johnson, and Beverly Blossom respectively.

© Tony Powell. Dance critic Jennifer Dunning

With my Juilliard classmates choreographer and dancer Rebecca Stenn on the left and author and dance educator Dr. Elizabeth McPherson (Beth just wrote the new book about Martha Hill)

Filed under: Dance, Events, Leisure, Nightlife | 2 Comments
Tags: 2009, Awards Ceremony, Beverly Blossom, Dance, Jacqueline Green, Martha Hill, Martha Hill Dance Award Gala, Mary Anthony, Mary Hinkson, Murray Louis, November 30, The Cathedral NYC, The Juilliard School, Tony Powell, Virginia Johnson

Pole Pressure!

26Nov09

An unlikely set of circumstances led to my introduction to top-ranked pole dancer and Pole Pressure studio owner Jessalynn Medairy last week which culminated today in one of the most productive and meaningful photo shoots I’ve ever organized. Productive in that Jessalynn has a work ethic similar to mine and meaningful as it proved to be the right time, the right place, and the right person with which to attempt a fully bare-body outdoor shoot. I’m preparing new work for an exhibit, in the new year, of my large-scale photography, and some of these images are prime candidates for the show.

We almost didn’t meet. After a long night of shooting for Tiffany & Co. in Tyson’s Corner last Saturday, I remembered that my friend Lani Hay had invited me to Jayne Sandman’s 30th birthday party at the The Rookery. I really wanted to celebrate with Jayne and also to hear (Lani’s husband) Mark T. Smith, Jay Scott, and (Jayne’s husband) Jeff Dufour’s rock band, which headlined the B-day bash – but my body was asking to get some sleep. I’m glad that better thinking prevailed.

When I arrived, the band was already in high gear and the place was a sea of familiar faces and friends: Holidae Hayes, Winston Lord, Amanda and Curtis Polk, Susanna Quinn, Cindy and Evan Jones, Lindsay Czarniak, Jessica Gibson, Patrick Gavin, Lee Brenner, and Alexe Nowakowski.

I spied an attractive blonde woman hanging out with Sharon Yang and something about her seemed special…but I didn’t know what. I later discover that she was none other than Sharon’s pole dance teacher, Jessalynn Medairy, among the top 12 pole dancers in the US for 2009 and in the top 15 for 2010.

The woman has NO inhibitions – and that distinction shone through, lending the resulting images we created an immediacy that only authenticity can provide. She IS her art and, at least for the 4 hours we were together, we breathed as one. I can’t remember a time when I was more in sync with the person in front of my lens than with Jessalynn. Shooting started early in the afternoon – indoors at the Carriage House Studio, home of the DC Photographers Coop – near 9th and O Sts. The 9.5 foot tension-based pole she brought with her was securely erected within minutes – snugly fitting between floor and ceiling, providing the necessary support for the myriad moves she executed over and over again.

As luck would have it the rain stopped as soon as we finished in the studio so we headed over to Rock Creek Park to a secluded area near The Nature Center. We were able to get in a hundred shots of what I really wanted to shoot: the bare form in space, outdoors, in nature. We erected her portable stage and 10 foot pole right there in the middle of the woods. My strobes were being powered outside by one of two sine wave inverters that I own, which gives me roughly 300-400 full power bursts of light with as many lights as needed, attached. The only disadvantage of working with an inverter is not being able to use the modeling light on a strobe head for any length of time, as the battery will deplete quickly or worse yet, the inverter can become damaged.

An additional sign of support from the Universe came in the form of the Sun – it showed it’s face the second I was set up and ready to take my first shot. That bit of Sun changed everything for the better so the portable lighting was repositioned to allow the Sun to be my rim light. We’ve planned our second shoot together once she returns from an International pole dance tour of England and France.

She’s heading to Europe today for a week of competitions, teaching, and workshops. A dancer, choreographer, and teacher of dance myself, I found the newness of her very specific movement style intriguing, forever expanding my limited conception of movement and portraiture.

Filed under: Art, Dance, Photography | 3 Comments
Tags: 2009, Alexe Nowakowski, Amanda Polk, Carriage House Studio, Cindy Jones, Curtis Polk, DC, DC Photographers Coop, Evan Jones, Holidae Hayes, Jay Scott, Jayne Sandman, Jeff Dufour, Jessalynn Medairy, Jessica Gibson, Lani Hay, Lee Brenner, Lindsay Czarniak, Mark T. Smith, November 25, Patrick Gavin, Pole Pressure, Rock Creek Park, Sharon Yang, Susanna Quinn, The Rookery, Tony Powell, Washington, Winston Lord

Booshie Shoot

25Nov09

You never know who you’ll meet or where it might lead when staying open to all possibilities! Choreographer and dancer Kate Jordan invited me to the most recent open house at the Carriage House Studio, just before Halloween. The loosely knit group of photographers (pros and hobbyists) that comprise the DC Photographers Co-Op come together there once a month to share ideas and also to work with a variety of models, in the studio, and throughout the adjacent alleyways in the historic Logan Circle corridor of DC.

The models that night a few weeks ago were dancers on loan from Kate’s dance company – they also rehearse there as part of an exchange. The stylist was a newbie seamstress and Booshie Design founder, Ginger Carlin – she only started sewing a year ago. What I first noticed about her was an overabundance of energy – she bounced around from model to model adjusting clothing (all her designs), applying makeup, and touching up tresses of hair, here and there. A veritable one stop shop for models, she seemed like an ideal partner for a photo shoot.

We hit it off right away. A casting call went out and we had 3 great new faces with which to work – Vanja Simovic, Juelles Chester, and Erica Dudley a.k.a. Model Keka. Makeup artist Carl Ray, Hairstylist Shannon Greene, and my photo assistant Kevin Smoot, rounded out the team.

Fast forward to the day before yesterday! Our grand plan for an all-day shoot at the Carousel, the Hall of Mirrors, and the Spanish Ballroom in Glen Echo Park came to a screeching halt when Mother Nature showed us her plans for the course of the day! The steady downpour of rain forced us inside and thanks to Ginger we were able to get the Carriage House studio on short notice. After a long day of shooting and some homemade chicken and steak fajitas back at Ginger’s Q Street crash pad we were ready for round 2! But where? Still raining, Ginger, model Juelles, and I drove all over NW DC looking for a quirky indoor location. A gas station? Safeway? The nightclub Heaven and Hell? Tryst? At midnight I finally decided to try the lobby of the Donovan House on Thomas Circle. After a series of emails and phone calls to the director of PR and Marketing, we got the green light. The PR director remembered my name from the summer when I would come up to shoot parties on the roof by the pool each week.

Filed under: Art, Fashion, Leisure, Photography | Leave a Comment
Tags: 2009, Carl Ray, Carriage House Studio, DC, DC Photographer Coop, Erica Dudley, Ginger Carlin, Juelles Chester, Kevin Smoot, Model Keka, November 23, Shannon Greene, Tony Powell, Vanja Simovic, Washington

Capital City Ball

22Nov09

Click here to view and purchase all the photos!!

Filed under: Charities, Events, Nightlife | Leave a Comment
Tags: 2009, Capital City Ball, DC, Dupont Circle, Innocent's at Risk, November 21, Polaris Project, Tony Powell, Washington, Washington Club

Birthday Bash

15Nov09

For Politico coverage click here!

My good friends- DC Film Commissioner Kathy Hollinger, far right, and Kimball Stroud, threw me the best birthday party I can remember! Fifty or so friends came out to Cafe Milano to help me celebrate last week in style!!! Thanks Kathy and Kimball!